The work of artist Erika Hock (Kyrgyzstan, 1981, based in Germany) is at an intersection between art, architecture, and design. In this mix of influences we find the richness of her work. Hock subverts what we expect from spaces, breaking what is predictable and at the same time allowing us to play with objects. Entering a Hock exhibition is a complete experience, where every corner of the room plays its part.

As the viewer walks through the space, they can decide whether or not to interact with the objects, and even doubt whether this is something allowed. In this sense, “Unfit” proposes a complicated challenge, since it is practically impossible not to touch or sit on some of the artworks that get in our way. “Yellow”, with its funny cushions, is particularly hard to resist. The title of the exhibition refers to the fact that, although these pieces call for exploration, they never fully adapt to the visitor’s body and cause a curious discomfort.

The atmosphere of “Unfit” also gives off a certain nostalgic air, with echoes of the Memphis Group. This Italian architecture and design group founded by Ettore Sottsass dared to combine the vibrant colors of pop art with art deco elements such as geometric figures or curved lines, and retro influences. It strongly marked the 80s by focusing not only on the functionality of the design but also on aesthetics. Sottsass explained it this way: “When I was young, all we ever heard about was functionalism, functionalism, functionalism. It’s not enough. Design should also be sensual and exciting.”

It is this playful spirit that we find here and that invites us to let go of our preconceived ideas and let ourselves be carried away by the journey. In addition to the couches/artworks, we also find several twisted and colorful lamps that illuminate our walk with humor and elegance. Hock, with her impeccable technique and ability to inhabit space in unexpected ways, positions herself as an original and unique voice within German contemporary art.

Florence Rodenstein