INGEBORG TYSSE
"Phantom Gut"
Ingeborg Tysse
26 April - 31 May, 2024

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

“Phantom Gut”, solo exhibition by Ingeborg Tysse. Installation view at L21 Home, 2024.

Ingeborg Tysse

Spikey, 2024

Sycamore maple tree, aspen, spruce, epoxy resin, bird spikes

144 x 37 x 22 cm

Ingeborg Tysse

Pod, 2023

Spruce, cables

27 x 50 x 30 cm

Ingeborg Tysse

Another kind of gut, 2024

Birch tree, socket, iPod, charger, looped video, contact folio, leather shoes, epoxy resin

144 x 37 x 22 cm

Ingeborg Tysse

Plug, 2023

Power plug, wood

7 x 20 x 35 cm

Ingeborg Tysse

Tales of Transit, 2023

Sell, Hazel, pigmented epoxy resin, iPhone, loooped video, charger

144 x 37 x 22 cm

Ingeborg Tysse

Apparatus for bonding, 2024

Bird spikes

13 x 28 x 27 cm

Ingeborg Tysse

Tails to Tales, 2024

Birch tree, aspen, handwoven digital Jacquard weaving, copper, metal pipe, patent tape, contact folio

166 x 37 x 34 cm

Ingeborg Tysse

Pocket , 2024

Copper, handwoven digital Jacquard weaving, nails

100 x 40 x 30 cm

Ingeborg Tysse

Phantom gut, 2024

Handwoven digital Jacquard weaving, wool, linen

200 x 100 cm

Ingeborg Tysse

Hot gut, 2024

Handwoven digital Jacquard weaving, wool, linen

160 x 100 cm

Ingeborg Tysse

Golden claws, 2024

Handwoven digital Jacquard weaving, wool, linen

200 x 100 cm

Ingeborg Tysse

Morgan cane, 2024

Copper, wooden stick

90 x 95 x 27 cm

Ingeborg Tysse

Arm or, 2024

Copper, handwoven digital Jacquard weaving, copper thread

28 x 110 x 28 cm

Ingeborg Tysse

Hoopthesis, 2024

Cherry tree, handwoven digital Jacquard weaving, copper thread

140 x 47 x 33 cm

Ingeborg Tysse

Skiapod’s vacation, 2024

Cherry tree, handwoven digital Jacquard weaving, copper thread, metal pipe, epoxy resin

144 x 37 x 22 cm

“Phantom Gut” marks Ingeborg Tysse’s debut exhibition in Spain, coinciding with her inaugural representation by L21. The assembly of the works resembles a forest of bodies and limbs, a landscape merging fiction with reality. It inhabits a realm that straddles the virtual, the real, and the mystical, rooted in something visceral and raw. This landscape in transition gathers limbs that may never have existed, encapsulating history, contemporary and ancient myths, folklore, embodied technology, and future possibilities.

 

The allusion to the ghost is compelling, suggesting that while a ghost once physically existed, a phantom may never have had physical form.) While ghosts often appear as a shadow of something manifested in the ‘real’, the phantom suggests an imagined phenomenon rather than something factual – opening up a realm of endless opportunity – as the imagined often happens to be where magic can gently coexist, merge and create narratives.

 

Within this realm we are urged to step into a kind of underworld, where Tysse states ‘there is no right or wrong, good or bad, nor up or down- instead we are in constant transition of remolding, melting, and morphing with our surroundings-  with the head in the future, the heart in the past, and the gut in the present,” we are invited to navigate the temporal complexities of our existence.

 

This mutation of complex hybrid bodies exists between animal, human, machine, and realms beyond our known existence. Her sculptures offer new possibilities rather than definitive answers, with the gut, our intuitive connection to digestion, truth- synthetic or organic, creating and blurring outlines. Her bodies indicate some sort of functionality within their own logic, suggesting an unreleased performativity, leaving the room in an uncanny state. 

 

By placing the work in a space that was once a home, we step into a new dimension, confronting, succumbing and eating up our traumas, our childhood furniture now a part of our limbs, table legs grow through our nervous system, the floors where we stumbled, the bruises we are and the windows we peered through. The body now merges with the house. Is this what they meant when they said, ‘death becomes her’? In this room we are both fiction and reality.

 

Zé Ortigão

EN / ES

BIO

Ingeborg Tysse (b. 1992, Stavanger Norway) is a multidisciplinary artist whose practice takes on the form of sculpture, installation, weavings, costumes, video and text. She creates sculptural bodies bearing traces of historic and contemporary myths, feminism and environmental concerns. Her work often unfolds in scenographic installations featuring complex creatures exploring a state between reality and fiction. When merging organic and synthetic materials with craft techniques, Tysse thematizes the history of traditional craft and forms new hybrid meetings. Central in her process is working with humor and seriousness side by side, approaching her surroundings through an animistic perspective and a method of care and conservation.

Tysse recently graduated with an MFA from the Art Academy in Bergen, holds a BFA from the National Academy of the Arts in Oslo, Textile Department and from the Art Academy in Iceland. Recent solo and group exhibitions include is this is personal at Bergen Kunsthall (2024), Phantom Gut at L21 Gallery in Palma de Mallorca, Spain (2024), SKRØMT at Hordaland Kunstsenter (2023) and Shared Imaginations at Titanikas in Vilnius, Lithuania (2023).

CV

Ingeborg Tysse

(b. 1992, Stavanger, Norway)

 

EDUCATION

2022–2024
MFA, Bergen Art Academy, KMD, University of Bergen, NO

 

2021
Classical Mythology, University of Oslo, NO

 

2015–2018
BFA, Textile Department, Oslo National Academy of the Arts, NO

 

2017
BFA (Exchange), Iceland Academy of the Arts (Listaháskóli Reykjavíkur), IS

 

2013–2015
Art Studies, Prosjektskolen Kunstskole, NO

 

2012
Art History, University of Oslo, NO

 

2012
Textile Fashion, Gateway, Paris, FR

 

UPCOMING

 

2024
Group Exhibition, L21 Gallery, Palma de Mallorca, ES

 

2025
Solo Exhibition, Norsk Billedhoggerforening, Oslo, NO, curated by Tatiana Lozano

 

2025
Group Exhibition, Rødborgen, Oslo, NO, curated by She Will Art Space

 

2026
Collaborative Project and Exhibition, Kabuso Art Centre, Hardanger, NO, curated by Kiosken Studio

 

SOLO EXHIBITIONS

 

2024
Phantom Gut, L21 Gallery, Palma de Mallorca, ES

 

2023
SKRØMT, Hordaland Kunstsenter, Bergen, NO

 

2022
Have Giants Got Souls, Galleri Taxi, Bergen, NO

 

2021
Cherished to My Knees, Blank Blank Studio, Oslo, NO

 

2020
Surefootedly Floating, Galleri Memphis, Oslo, NO

 

2017
Can’t Reach Me Here, Rétthafaverkstæðis Þórarins, Reykjavík, IS

 

SELECTED GROUP EXHIBITIONS

 

2024
this is personal, Graduation Show, Bergen Kunsthall, NO
(B) We Never Could Do Anything About What We Could Do Something About, Group Exhibition organized by Hommersåk/Hestånå Architecture & Taxonomic Triennale (HATT) in collaboration with Steinar B. Haug, Sandaker Senter, Oslo, NO

 

2023
Shared Imaginations, KUNO Biennial, Titanikas, Vilnius, LT
EVA, The Experimental Video Art Exhibition, BACC, Bangkok Art and Culture Centre, Bangkok, TH
MA1 Show, Bergen Kjøtt, NO
Pleasure, NOGOODS, curated by OVE Gallery, Bergen, NO
Morphogenesis, After School Special at Landmark, Bergen, NO
Aeaea, curated by Oslo City, Podium Oslo, NO

 

2022
Art 4 Ukraine, Auction for Kyiv Biennial, Kunstplass, Oslo, NO
SÍM Residency, Reykjavik, IS

 

2020
Guilty Pleasure, Curated by Petter Wang, Atelier Oblivion, Oslo, NO
Oslo Fusion x GIFC, Oslo, NO

 

2019
9-5 Limbo, Slurpen Galleri, Oslo, NO
Velvet Ropes, Got It For Cheap (GIFC), Galleri Golsa, Oslo, NO
Munch’s Skrik, Det Gamle Museet, Oslo, NO

 

2018
Sommersolverv, curated by Espen Iden, After School Special at Landmark, Bergen, NO
BFA Graduation Exhibition, Oslo National Academy of the Arts, NO

 

2017
14,8 x 21, curated by Beatrice Alexanian and Anna Sofie Mathiasen, Oslo Art Academy, NO
On Counting, a Calculation of a Choir, Büro Für Formlichkeiten/Martin Bien, Reykjavík, IS
STANLEY, Outdoor Performance, Reykjavík, IS

 

2016
Munkehagen, Stavanger, NO
HYMEN and Munch = SUCCESS, Festsalen, The Munch Museum, Oslo, NO

 

CURATORIAL PROJECTS, RESIDENCIES, AND COURSES

 

2023
Rites of a Secular Age, Participation in KUNO Course, Nida Art Colony, Nida, LT

 

2022
Mardi Gras, 12 Artists in 12 Hours, Montebello Kulturhus
Artist in Residence, SÍM (The Association of Icelandic Visual Artists), Reykjavik, IS

 

2019
Artist in Residence, Obrestad Fyr, Rogaland, NO

 

2018
Artist in Residence, Atelierhuset, Arcueil, FR
Mermaids Gender by Eivind Hansen, Black & White Building, London, UK

 

2017
Mutations by Alex Frettin and Release of HYMEN Issue 3, Kvit Galleri, Copenhagen, DK

 

2016
Artist Presentation, Prosjektskolen Kunstskole, NO

 

GRANTS AND MEMBERSHIPS

 

2024
Diverse Stipend for Recent Art Graduates, Kulturdirektoratet
Norwegian Sculptors Society (since 2024)

 

2023
Costume Designer, Mågå Theatre Company, Stavanger, NO

 

2020–2022
Board Member, Montebello Kulturhus Association

 

2015–2020
HYMEN Art Magazine, Co-editor (3 Printed Issues)

 

2016–2020
Ala Grobegni, Performance Duo with Erla Audunsdóttir

 

ART FAIRS

 

2024
L21 Gallery at CAN Art Fair, Ibiza, ES

 

PUBLICATIONS

 

2023
SKAKMD, Collaboration between Writing Academy and Art Academy, Bergen, NO

 

2022
Elegy to Circe, Publication/Printed Manuscript Exhibited on Podium, NO

 

2017
The Success Issue, HYMEN Magazine Issue 3, Editor and Curator

 

2016
I’m The Only One, HYMEN Magazine Issue 2, Editor and Curator

 

2015
The Real Issue, HYMEN Magazine Issue 1, Editor and Curator

 

OTHER

 

2024
Sa Ka La, Reading, House of Literature, Bergen, NO

 

2023
Stories from Badedammen, Costume Design, Theatre Company Mågå, Stavanger, NO

 

2021
Stories from Stavgersand, Costume Design, Theatre Company Mågå, Stavanger, NO

 

2019
Rhapsody & Still Life, Assistant for Lin Wang, Vigeland Museum, Oslo, NO

 

2018
Kvinner i populærkulturen, Debate, HYMEN and Yppé Magazine, Tøyen Village, Oslo, NO

 

2017
Soft Armour, Assistant for Constance Tenvik, UKS and Kunstnernes Hus, Oslo, NO

 

2015
Drømmen by Hennes Majestet Theater Company, Scenographer, Cornerteateret, Bergen, NO