DASHA SHISHKIN
All kind sandwiches
Dasha Shishkin
26 March - 29 April, 2022

All kind sandwiches, solo exhibition by Dasha Shishkin. Installation view at L21 Factory, 2022.

 

All kind sandwiches, solo exhibition by Dasha Shishkin. Installation view at L21 Factory, 2022.

 

All kind sandwiches, solo exhibition by Dasha Shishkin. Installation view at L21 Factory, 2022.

 

All kind sandwiches, solo exhibition by Dasha Shishkin. Installation view at L21 Factory, 2022.

 

All kind sandwiches, solo exhibition by Dasha Shishkin. Installation view at L21 Factory, 2022.

 

DASHA SHISHKIN
11, 2019
Sanguine on paper

45.5 x 32.5 cm

DASHA SHISHKIN
13, 2019
Sanguine on paper

45.5 x 32.5 cm

DASHA SHISHKIN
15, 2019

Sanguine on paper

45.5 x 32.5 cm

DASHA SHISHKIN
16, 2019
Sanguine on paper

45.5 x 32.5 cm

DASHA SHISHKIN
17, 2019
Sanguine on paper

32.5 x 45.5 cm

DASHA SHISHKIN
Faith, 2018
Acrylic, conte crayon and painter’s blue tape on cloth

160 x 120 cm

DASHA SHISHKIN
emma, 2019
Acrylic and sanguine on cloth

124 x 85 cm

“Wet cat” by Peluche llorón:

 

wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat

 

one hundred wet cats

EN / ES

FROU FROU
Dasha Shishkin
30 March - 28 May, 2021

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

AMIR , 2021. Acrylic, conte crayon on cloth. 91.5 x 119 cm

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

SAIFEI , 2021. Acrylic, conte crayon on cloth. 102 x 102 cm

URAL , 2021. Acrylic, conte crayon on cloth. 124.5 x 124.5 cm

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

NAIL’ , 2021. Oil and acrylic on cloth. 46 x 35.5 cm

HAIRITDIN , 2021. Acrylic, conte crayon on cloth. 51 x 51 cm

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

“FROU FROU”, solo exhibition by Dasha Shishkin. Installation view at L21.

RAVIL , 2021. Acrylic, conte crayon on cloth. 70 x 43 cm

Dasha does not feel comfortable with this kind of written presentation about her work, so we have decided to include the lyrics of a song from Óscar Florit’s music band “Peluche llorón”:

 

wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet wet cat, wet cat, wet cat, wet cat, wet cat, wet cat, cat, wet cat, wet cat, wet cat, wet cat, wet cat, wet cat

 

one hundred wet cats

 

 

Dasha Shishkin (Moscow, Russia, 1977) lives and works in Brooklyn, New York. Driven by line, her compositions are inhabited by a psychedelic multiplicity of scenes and characters, bordering on the comical and the grotesque – a glimpse into a strange, parallel world where pre-assumed rules don’t apply. Her work has been shown in solo and group exhibitions at Neues Museum Nurnberg, Alemania (2021); Fine Art Gallery, Houston, Texas (2020); Anne Barrault Gallery, Paris, Francia (2020); Gio Marconi Gallery, Milan, IT (2018); Boulder Museum of Contemporary Art, Boulder (2017) and The Metropolitan Opera, New York (2014). Her work is included in the collections of the Museum of Modern Art, Nueva York; Whitney Museum of American Art, Nueva York; The Art Institute of Chicago, Chicago, USA; Tang Teaching Museum, Saratoga Springs, USA; RISD Museum, Providence, USA; Dallas Museum of Art, Dallas; Columbus Museum of Art, Columbus; Pina- kothek der Moderne, Munich; and Hamburger Kunsthalle, Hamburg.

 

EN / ES

Hoo hoo hoo
Dasha Shishkin
12 September - 08 November, 2019

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

1, 2019

Sanguine on paper.

45 x 30 cm

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

“hoo hoo hoo” solo exhibition by Dasha Shishkin, 2019. Installation view at L21.

5, 2019

Sanguine on paper.

45 x 30 cm

2, 2019

Sanguine on paper.

45 x 30 cm

3, 2019

Sanguine on paper.

45 x 30 cm

4, 2019

Sanguine on paper.

45 x 30 cm

linnaean taxonomy , 2019

Acrylic and sanguine on cloth.

125 x 102 cm

romantic victimhood , 2019

Acrylic and sanguine on cloth.

115 x 122 cm

basis of optimism , 2019

Acrylic and sanguine on cloth.

126 x 87 cm

nature bets last , 2015

Pastel and acrylic on Mylar.

106.5 x 76 cm

pistis sophia , 2015

Pastel and acrylic on Mylar.

106.5 x 76 cm

ego defends itself , 2015

Pastel and acrylic on Mylar.

106.5 x 76 cm

small sharp weapons and a hunk of kick-ass cheese , 2019

Acrylic and sanguine on cloth.

75 x 130 cm

eiderdown , 2019

Acrylic and sanguine on cloth.

124 x 115 cm

emma , 2019

Acrylic and sanguine on cloth.

124 x 85 cm

This show features recent drawings by Dasha Shishkin. The bodies in her works dance, enjoy, smoke, read… they stare at us.

 

Some have eyes on the back, chest, butt and heels. They close them when they are tired.

 

It is curious that we are not aware of the act of looking until someone looks at us. How many possibilities are there in the distance between two points?

 

 

_
Dasha Shishkin (b. 1977, Moscow, Russia) lives and works in Brooklyn, New York.

She has been featured in solo and group exhibitions internationally at institutions including: “Tram Pam Pam”, Boulder Museum of Contemporary Art, Boulder (2017); “Imaginary Portraits of Prince Igor”, the Gallery Met, The Metropolitan Opera, New York (2014); “One Torino: Shit and Die”, Palazzo Cavour, Torino (2014); “erry icket”, Museum of Contemporary Art Santa Barbara, Santa Barbara (2013); “I Surrender, Dear”, Contemporary Arts Center, Cincinnati (2012); “Gaiety is the most outstanding feature of the Soviet Union: Art from Russia”, Saatchi Gallery, London (2012); “Monanism”, Museum of Old and New Art, Tasmania (2011); “Living with Art: Collecting Contemporary in Metro New York”, Neuberger Museum of Art in Purchase, New York (2010); “Embrace”, Denver Art Museum, Denver (2009); “World Receiver”, Hamburger Kunsthalle, Hamburg (2007).

 

She is represented in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Dallas Museum of Art, Dallas; Columbus Museum of Art, Columbus; Pinakothek der Moderne, Munich; and Hamburger Kunsthalle, Hamburg.

EN / ES

BIO

Dasha Shishkin (Moscow, Russia, 1977) lives and works in Brooklyn, New York. Driven by line, her compositions are inhabited by a psychedelic multiplicity of scenes and characters, bordering on the comical and the grotesque – a glimpse into a strange, parallel world where pre-assumed rules don’t apply.

 

Her work has been shown in solo and group exhibitions at Neues Museum Nurnberg, Alemania (2021); Fine Art Gallery, Houston, Texas (2020); Anne Barrault Gallery, Paris, Francia (2020); Gio Marconi Gallery, Milan, IT (2018); Boulder Museum of Contemporary Art, Boulder (2017) and The Metropolitan Opera, New York (2014); The Gallery Met, The Metropolitan Opera, New York (2014); Palazzo Cavour, Torino (2014); Museum of Contemporary Art Santa Barbara, Santa Barbara (2013); Contemporary Arts Center, Cincinnati (2012); Saatchi Gallery, London (2012); Museum of Old and New Art, Tasmania (2011); Neuberger Museum of Art in Purchase, New York (2010); Denver Art Museum, Denver (2009); Hamburger Kunsthalle, Hamburg (2007).

 

Her work is included in the collections of the Museum of Modern Art, Nueva York; Whitney Museum of American Art, Nueva York; The Art Institute of Chicago, Chicago, USA; Tang Teaching Museum, Saratoga Springs, USA; RISD Museum, Providence, USA; Dallas Museum of Art, Dallas; Columbus Museum of Art, Columbus; Pina- kothek der Moderne, Munich; and Hamburger Kunsthalle, Hamburg.

CV

EDUCATION

2006 

MFA, Columbia University, New York, US

2001 

New School for Social Research, New York, US

 

SOLO EXHIBITIONS

2022

All kind sandwiches. L21 Gallery, Barcelona (ES)

2021

Between Friends. Neues Museum Nurnberg, Nurnberg (DE)

Frou Frou. L21 Gallery, Palma de Mallorca (ES)

2020

Nancy Littlejohn. Fine Art Gallery, Houston (TX)

2019

hoo hoo hoo. L21 Gallery, Palma de Mallorca (ES)

2018    

 but . . .  you’re a horse.  Produzentengallerie, Hamburg (DE) 

cats and potatoes. Gio Marconi Gallery, Milan (IT)

2017    

Tram Pam Pam. Boulder Museum of Contemporary Art, Boulder (US)

2014

where there’s a wand, there’s a way. Susanne Vielmetter Los Angeles Projects, Culver City (US)

2013

erry icket. Museum of Contemporary Art Santa Barbara, Santa Barbara (US)

Sammy. Gio Marconi Gallery, Milan (IT)

2012

I Surrender, Dear. Contemporary Arts Center, Cincinnati (US)

2011

S Int N Ho. Susanne Vielmetter Los Angeles Projects, Culver City (US)

Desaparecido. Zach Feuer Gallery, New York (US)

2010

Dap (Tizzy). Gio Marconi Gallery, Milan (IT)

2009

Men Like That. Zach Feuer Gallery, New York (US)

2007

Love Sick. Andreas Grimm, Munich (DE)

First Sorrow. Kantor/Feuer Gallery, Los Angeles (US)

2006

W.A.M. Who Gives A Damn If You Procreate. Grimm/Rosenfeld, New York (US)

2004

Dasha Shishkin: Drawings and Prints. Grimm|Rosenfeld, Munich (DE)

2002

On Mistrust and Suspicion of Children in General. ND Gallery, New York (US)

 

EXPOSICIONES COLECTIVAS

2023

Entre Cajas. L21 Home, Palma (ES)

2022

Portraits and monochromes. ARTUAL, Beirut (LBN)

CHIEN. Galerie anne Barrault, Paris (FR)

Group show. Fahrenheit, Madrid (ES)

Broken Piñata. L21 Gallery, Palma de Mallorca (ES)

Arco 2022. L21 Gallery, Madrid (ES)

2020

Unique and Multiple. Anne Barrault Gallery, Paris (FR)

Guest Room, L21 Gallery, Palma de Mallorca (ES)

2019

Partial Eclipse. Anton Ginzburg, Dasha Shishkin, Fridman Gallery, New York (US)

Not All Doors Are The Same. Booth Gallery, New York (US)

Topor N’est Pas Mort. Galerie Anne Barrault, Paris (FR)

2018       

We Never Sleep. Littlejohn Contemporary Gallery, New York (US)

USPS,Tbilisi (GE)

Draw//Serbia.  Museum of Contemporary Art Vojvodina, Novi Sad (RS)

to our fellow artist and poets who are confused about which way to go. Lundgren Gallery, Palma de Mallorca (ES)

Fugue. Honey Ramka, Brooklyn (US)         

2017

Künstlerbücher für Alles. Museum für moderne Kunst, Bremen (DE)

2016

Nouveau!.  Galerie Anne Barrault, Paris (FR)

Lucid Dreams. Fridman Gallery, New York (US)

2015

Out of Place. Monya Rowe Gallery, Saint Augustine (US)

Jane Corrigan, Meredith James, Gloria Maximo, Dasha Shishkin. Feuer Mesler, New York (US)

Surface of Revolution. Southampton Arts Center, Southampton (US)

2014

Word Bites Picture. Design Matters Gallery, Los Angeles (US)

Vintage Violence. Monya Rowe Gallery, New York (US)

One Torino: Shit and Die. Curated by Maurizio Cattelan, Myriam Ben Salah, and Marta Papini. Palazzo Cavour, Torino (IT)

Imaginary Portraits of Prince Igor. Gallery Met, The Metropolitan Opera, New York (US)

2012

Gaiety is the Most Outstanding Feature of the Soviet Union: Art from Russia, Saatchi Gallery, London (UK)

Idealizing the Imaginary: Invention and Illusion in Contemporary Painting. Oakland University Art Gallery, Rochester (US)

Dasha Shishkin, Dorota Jurczak, Paula Modersohn-Becker. ph-projects, Berlin (DE)

Whos Been Here. Bukowskis, Stockholm (SE)

2011

Monanism. Museum of Old and New Art, Tasmania (AU)

A Room of Her Own. Lu Magnus, New York (US)

Publisher Spotlight: LeRoy Neiman Center for Print Studies. Pace Prints, New York (US)

Taking the Space: Gender and the Figure in Contemporary Art. Schmidt Center Gallery University Galleries, School of the Arts, Florida Atlantic University, Boca Raton (US)

2010

Living with Art: Collecting Contemporary in Metro New York, Neuberger Museum of Art, Purchase (US)

Wildly Different Things: New York and Dublin, The Observatory, Dublin (IE)

The More I Draw. Museum fr Gegenwartskunst, Siegen (DE)

2009

Embrace. Denver Art Museum, Denver (US)

A Decade of Contemporary American Printmaking: 1999-2009. Visual Art Center of Academy of Art and Design, Tsinghua University, Beijing (CN)

1999. China Art Objects, Los Angeles (US)

2008

Once Upon A Time. ISE Cultural Foundation, New York (US)

Drawing Now Drawing Then Young Masters Old Masters. Arndt & Partner, Zurich (CH)

Nightmares & Dreamscapes. Alberto Peola Gallery, Turin (IT)

2007

The Four Horsemen. Galerie Im Regierungsviertel, Turin (IT)

World Receiver. Hamburger Kunsthalle, Hamburg (DE)

Panic Room: Works from the Dakis Joannou Collection. Athens (GR)

Dream & Trauma: Works from the Dakis Joannou Collection. Kunsthalle Wien, Vienna (AT)

Automatic. Franklin Parrasch Gallery, New York (US)

Responds To My Country. Hungarian Cultural Center, New York, NY A Muzzle of Bees, 33 Bond Gallery, New York (US)

Re: Generation – Emerging Women Artists. Smack Mellon Brooklyn, NY and The Kentler International Drawing Space, Brooklyn (US)

Summer 2007. Grimm|Rosenfeld, Munich (DE)

2006

Hybrid: Anthea Hamilton, Alisa Margolis, Dasha Shishkin, Barbara Wolff. Curated by Eva Karcher. Galerie Wilma Tolksdorf, Frankfurt (DE)

HangART-7 Edition 4 – New York Contemporary: Art Times Squared. Hangar-7, Salzburg (AT)

Goods to Declare. Bezalel Academy, Tel Aviv (IL)

Summer 2006. Grimm|Rosenfeld, Munich, Germany Liquid Paper-Pure Land, Ratio 3, San Francisco (US)

This is not a Love Song. Susanne Vielmetter Los Angeles Projects, Culver City (US)

The Compulsive Line: Etching 1900 to Now. Museum of Modern Art, New York (US)

Re: Generation. Rutgers University, New Brunswick (US)

2005

Founders Day. Grimm|Rosenfeld, New York (US)

Gegenwrtige Geschichtenerzhler. Hamburger Kunsthalle, Hamburg (DE)

Greater New York 2005. PS1, New York (US)

The ArtReview 25: Emerging US artists, Phillips, de Pury & Co., New York (US)

Much Madness is Divinest Sense, Cohan+Leslie, New York (US)

The Parable Show. Grimm|Rosenfeld, Munich (DE)

2004

After Goya. Curated by Tomas Daniel, Neiman Gallery, New York (US)

The Day After…, curated by Lital Mehr, Oliver Kam. 5BE Gallery, New York (US)

Hung, Drawn and Quartered, curated by Miriam Katzeff. Team Gallery, New York (US)

Black Church. Print Studio, Dublin (IE)

GF Gallery New School University, New York (US)

2003

Brooklyn Fire Proof Gallery, Brooklyn (US)

Pearl Gallery, New York (US)

RSVP. The Society of Illustrators, New York (US)

2002

Naked Duck Gallery, Brooklyn (US)

North East Prints, William Paterson University (US)

2001

Dam. Stuhltrager Gallery, Brooklyn (US)

 

COLLECTIONS

The Museum of Old and New Art (MONA), Tasmania (AUS)

The Art Institute of Chicago, Chicago (US)

Tang Teaching Museum, Saratoga Springs (US)

RISD Museum, Providence (US)

Museum of Modern Art, New York (US)

Whitney Museum of American Art, New York (US)

Dallas Museum of Art, Dallas (US)

Columbus Museum of Art, Columbus (US)

Pinakothek der Moderne, Munich (DE)

Hamburger Kunsthalle, Hamburg (DE)