Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
Origins, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Factory, 2022.
DAISY DODD-NOBLE
Blue Volcano landscape, 2022
Oil on linen
137 x 183 cm
DAISY DODD-NOBLE
Volcano landscape pencil study, 2022
Graphite on paper
21.5 x 30 cm
DAISY DODD-NOBLE
Trees from different origins pencil study, 2022
Graphite on paper
21.5 x 30 cm
DAISY DODD-NOBLE
5 trees with purple mountain, 2022
Oil on linen
63 x 81 cm
DAISY DODD-NOBLE
Yellow, green and orange trees at sunset, 2022
Oil on linen
91 x 116 cm
DAISY DODD-NOBLE
Trees of different origin and purple sky, 2022
Oil on linen
140 x 180 cm
DAISY DODD-NOBLE
Trees of different origin and purple sky (study), 2022
Oil on linen
25 x 30 cm
DAISY DODD-NOBLE
Trees of different origin with yellow sky, 2022
Oil on linen
91 x 120 cm
Origin:
According to the dictionary: the point or place where something begins, arises, or is derived.
Group:
A number of people or things that are located, gathered, or classed together.
Daisy Dodd-Noble has reflected deeply on these concepts when developing the paintings exhibited in the show. The questions triggered by these thoughts are complex and in fact don’t have a simple answer, as with most philosophical matters:
What does it mean to be native?
What happens when groups from different origins are mixed and live together?
Can we draw parallels between trees and humans?
As individuals, we tend to search, consciously or not, for a group we can identify with. We wish to belong. This need seems to be intrinsically human, but all living beings relate to others, and we can find a common ground.
German forester Peter Wohlleben describes a forest as a superorganism of unique individuals. Since Darwin and until recently, we have generally thought that trees also adhered to the survival of the fittest and competed for water or sunlight. Today the evidence seems to show otherwise. Within that individuality, trees are connected to each other through underground fungal networks through which they communicate and collaborate, sharing nutrients and even saving the little ones.[1] So, we are all looking for a balance between our own selves and our relationship with others. Sometimes we cooperate, other times we isolate.
When observing nature, most of us are ignorant on the origins of the plants, trees, even animals we meet. We just see a group of trees together, and nothing troubles the landscape. We see the wholeness and embrace it. But what happens when we meet a group of humans from different countries or continents? Do we still see the same harmony or do our expectations, prejudice or beliefs intervene? This, too, is an open question. In her artwork “Trees from different origins with yellow sky”, the artist challenges us to see a slightly artificial landscape where differences are made more obvious.
Something else we now share with all living beings is globalization, and trees are also experiencing the consequences. For many decades now they have been moved from their native place to other countries, and diseases have also travelled. In the UK, the situation is catastrophic, with millions of infected trees expected to die soon.[2] Something similar happened not long ago with the pandemic. On the other hand, some trees are being moved to help them survive. The One Life One Tree project aims to plant 100.000 giant Sequoias in the UK to protect this species which is threatened by drought and wildfires in their native California[3]. More than 200 million people are likely to migrate over the next three decades because of extreme weather events.
So, trees and humans… we move, we adapt, we suffer, we cooperate, we grow, we share, we die.
To make her artworks, Daisy Dodd-Noble usually starts from a tree that she observes and then captures on the canvas. From here, she composes the entire landscape. Her paintings have a dreamlike atmosphere, thanks to a meticulous work on the use of colors and light, while the softness of the forms takes us to a world where innocence prevails. While observing these beautiful sceneries, we can go deeper and reflect on our own relationship to difference, diversity, nature and our peers.
Text written after an exchange between Daisy Dodd-Noble and Florence Rodenstein.
[1] Grant, Richard. 2018, March. Do Trees Talk to Each Other? Smithsonian Magazine. https://www.smithsonianmag.com/science-nature/the-whispering-trees-180968084/
[2] 2021, October 9th. Britain’s trees are being felled by diseases. The Economist. https://www.economist.com/britain/2021/10/09/britains-trees-are-being-felled-by-diseases
[3] https://onelifeonetree.com
EN / ES
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
Grounded, solo exhibition by Daisy Dodd-Noble. Installation view at L21 Gallery, 2022.
DAISY DODD-NOBLE
English fall landscape 1, 2022
Oil on linen
90 x 120 cm
DAISY DODD-NOBLE
English fall landscape 2, 2022
Oil on linen
90 x 120 cm
DAISY DODD-NOBLE
Small English fall landscape 1 , 2021
Oil on linen
23 x 30 cm
DAISY DODD-NOBLE
Small English fall landscape 2, 2021
Oil on linen
23 x 30 cm
DAISY DODD-NOBLE
Three deciduous trees in fall , 2021
Oil on linen
46 x 61 cm
DAISY DODD-NOBLE
Two deciduous and one evergreen tree in fall, 2021
Oil on linen
50 x 61 cm
Root
Root is a word that for both humans and plants is linked to ideas of birth, source and attachment. For trees, without rooting there is no life. While this process takes a material fusion with the soil and being physically linked to a territory, our roots play with more ephemeral and circumstantial components. Some attachments are given and others built voluntarily through experience, ritual activities, and time.
Humans’ connection to the earth beneath us is murky and yet it is a feeling that many of us can relate to – a concept that transcends cultural and linguistic divides that is powerful insofar as it might convey assuredness. It is a felt sense that might be enhanced through ritualistic practices such as yoga, chi gong, and breath work and which can get lost in times of stress.
Tree
Distance always puts things into perspective. It rebalances priorities and needs. We might not grasp the presence of something huge that stands before us every single day until we cease to have its constant presence. This can be said of the trees that shelter us in our urban and rural environments. When arriving into a new environment, we are particularly perceptive to our surroundings, to how the environment speaks to us.
During her time in New York, the trees Daisy Dodd-Noble was able to connect with in the city stood alone, as do most city trees. Reflecting upon this, her work renders trees individually as if they are characters on a stage, rather than in a mass of forest.
With time, our eyes may grow tired of spotting single trees, and we may crave being surrounded and cocooned by a mass of green. This feeling of being held by nature, may be strengthened in the landscapes and forests we call home. This exhibition is a sonnet to walking and standing in a place where you belong.
Soil
The idea of home is a contested one. Far from nationalistic inclinations and symbols restricted to an outlined territory, for Daisy Dodd-Noble the idea of belonging is rather linked to the experience of being part of a landscape. That feeling on the sole of your feet. Inner and outer observation from the place where you stand. The landscape be- comes a state of mind.
The artist spent several months of the pandemic in the English countryside, next to the forest. Seeing the same natural landscape everyday unfolds a different kind of observation and rooting, one that stays closer to what the eye can reach.
Earth
Dodd-Noble’s recent projects have been infusing a touch of magic through its buoyant palette. Cloudy pinks, multicoloured mountains and emerald sunsets set the mood for dreamy and somehow psychedelic sceneries.
In this new body of work, the artist is opting for autumn colours with a dominance of green, blue and yellow ochre, disposed solidly on the canvas. Painting when days are shorter, and with the steady contemplation of a familiar landscape, helped her to establish colour parameters beforehand for the first time. The restricted palette within this body of work allowed her to focus more on form and composition.
The bouncy trees and full-bodied hills characteristic of the artist’s language are still present, with an added sense of comfort and confidence.
Keeping the feet on the ground.
Aina Pomar Cloquell
EN / ES
Daisy Dodd-Noble is a painter based in London. She graduated from her MFA at the New York Academy of Arts in TriBeCa, New York in 2016, where she was in the class “painting from the imagination” with Inka Essenhigh and a tool class with Kurt Kauper and Jean Pierre Roy. Since then, her work has been exhibited in several countries including the United States, Italy and the United Kingdom.
Dodd-Noble paints caricatures of familiar landscapes such as hills, trees, and skies. Exploring the larger topic of environmentalism and consciousness, her surrealist scenes give way to an alternate reality. The artist invites us to consider the relationship between humans and the natural world by drawing on similar characteristics between people and trees.
She had her first solo exhibition at Roman Road Gallery, Columbia Hotel (London, 2020). Her work has been included in group exhibitions at Stems Gallery, Ixelles (BEL, 2022); Roman Road Gallery, London (UK, 2022); G / A R T / E N, Como (IT, 2021); Unit Gallery, London (UK, 2021); Bowes-Parris Gallery, London (UK, 2021) and Tchotchke Gallery, New York (US, 2020). Dodd-Noble has participated in the residency programme of L21 Gallery (ES, 2021) where she had her solo exhibition “Grounded” and “Origins” in 2022.
EDUCATION
2015-2017 MFA. New York Academy of Art, New York (US)
SOLO EXHIBITIONS
2022
Landscapes from the UK. Roman Road, London (UK)
Origins. L21 Barcelona, L’Hospitalet – Barcelona (ES)
Grounded. L21 Gallery, Palma de Mallorca (ES)
2021
The Wood for the Trees. Roman Road The Columbia, London (UK)
2020
Roman Road Gallery. Columbia Hotel, London (UK)
GROUP EXHIBITIONS
2023
CA’N BOOM!. L21 Gallery and Ca’n Marquès, Palma (ES)
Entre Cajas. L21 Home, Palma (ES)
2022
Two Sisters. Roman Road Gallery, London (UK)
Summer Lovin’. Stems Gallery, Ixelles (BEL)
Art in Mayfair. Roman Road Gallery, London (UK)
2021
Desire and Anxiety. G / A R T / E N, Como (IT)
Women in Paris. Hussenot Gallery, Paris (FR)
Rites of Passage. Unit Gallery, London (UK)
Back to Back. Bowes-Parris Gallery, London (UK)
2020
Fight or Flight. The Columbia, London (UK)
Capsule collection: Dreamscapes. Alanna Miller Art Advisory, London (UK)
When Life Doesn’t Give You Lemons. Tchotchke Gallery, New York (US)
Idle Thoughts. Soho Revue Gallery, London (UK)
2019
Opening. The Wing, London (UK)
2018
NY Academy of Art Summer Exhibition. Flowers Gallery, New York (US)
ART FAIRS
2023
KIAF SEOUL. L21 Gallery, Seoul (KOR)
CAN ART IBIZA 2023. L21 Gallery, Ibiza (ES)
ARCO 23. L21 Gallery, Madrid (ES)
2022
NADA Miami. Stems Gallery, Miami (US)
Kiaf SEOUL. L21 Gallery, Seoul (KO)
ARCO 22. L21 Gallery, Madrid (ES)
RESIDENCIES
L21 Gallery, Palma de Mallorca (ES)